The production is being positioned as a bold artistic vision that bridges Central American and European cinema, with the mythical Soralla de Persia narrative offering a rich tapestry for documentary storytelling that transcends traditional genre boundaries.
Insiders note this marks an unusual three-country collaboration for a hybrid documentary format, which could signal either ambitious cross-cultural reach or potential creative tensions between competing production visions down the line.
Variety reported on July 13, 2026 that 'Spells to Revive a Witch' has partnered with Spain's Testaferro and Uruguay's Guay Films. The film is produced by Costa Rica's Sputnik Films and Mariana Murillo's label, which previously produced work for Sofía Quiró.
Three countries, three production companies, one mystical fortune teller—this hybrid documentary about Soralla de Persia is playing the international co-production game with high ambitions heading into the Costa Rica Media Market.
Natalia Solórzano Vásquez is bringing her vision of 'Spells to Revive a Witch' to the international stage, having secured partnerships with Spain's Testaferro and Uruguay's Guay Films for the hybrid documentary project. The film centers on Soralla de Persia, described as a mythical fortune teller whose story spans cultural boundaries and generations. The production marks an interesting convergence of Central American and European filmmaking resources.
Costa Rica's Sputnik Films is handling primary production duties, while Mariana Murillo's label—previously responsible for producing Sofía Quiró's work—is also involved in bringing the project to life. The involvement of Testaferro from Spain and Guay Films from Uruguay suggests this isn't just a regional endeavor but rather a calculated push into broader markets. What makes 'Spells to Revive a Witch' stand out is its hybrid documentary format, blending traditional documentary elements with more experimental or fictional approaches to tell the story of Soralla de Persia.
The mythical fortune teller figure represents a character whose legend apparently crosses cultural lines, giving the production built-in appeal across multiple territories. The project is headed to the Costa Rica Media Market, where it'll compete for attention among buyers seeking fresh international content. With backing now locked in from three different countries, Solórzano Vásquez has positioned her film as a genuinely cross-cultural collaboration—which could either be its selling point or create complications when it comes to creative control and distribution rights down the line.
