A24 positions the film as an artistic exploration of truth and deception, featuring acclaimed creators.
Insiders claim the documentary reveals never-before-seen footage that exposes Holmes' true nature.
Directed by Nathan Fielder and Lance Oppenheim, the film premiered at Telluride on September 7, 2026.
If you thought the trial told the whole story, think again. This doc is the final nail in the coffin.
The gavel may have fallen in the courtroom, but the trial of public opinion is far from over for Elizabeth Holmes. A24, the studio known for its high-brow horror and prestige dramas, has officially pulled back the curtain on their latest project, *You Can See Everything*, and it promises to be the definitive autopsy of the Theranos founder's legacy. The documentary, which premiered at the Telluride Film Festival on September 7, 2026, is helmed by two of the most innovative minds in non-fiction storytelling: Nathan Fielder and Lance Oppenheim.
If you thought you had the full picture from the HBO series or the Hulu dramatization, you were missing the most critical puzzle pieces. Nathan Fielder, the Canadian comedian and writer best known for his surreal reality series *The Rehearsal*, brings his signature style of constructed reality to this project. Fielder doesn't just observe; he manipulates.
By pairing him with Lance Oppenheim, the visionary director behind the acclaimed 2020 documentary *Some Kind of Heaven*, A24 has assembled a team that specializes in peeling back layers of performance and identity. Oppenheim’s work often explores the gap between the American dream and the harsh reality underneath, making him the perfect counterweight to Fielder’s meta-commentary. Together, they are not just documenting history; they are deconstructing the myth of Elizabeth Holmes in real-time.
The film’s title, *You Can See Everything*, is a chilling nod to Holmes’ original pitch to the world: that her technology could detect hundreds of diseases from a single drop of blood. But in the context of this documentary, the title takes on a much darker, more surveillance-heavy meaning. It suggests that with the right lens, every lie, every evasive answer, and every calculated move Holmes made during her rise and fall is now visible.
The source material describes the film as "shocking" and states it is "like no other you have ever seen," hinting at access or revelations that previous journalists and filmmakers simply didn't have. For years, the narrative around Holmes has been controlled by her PR machine, her legal team, and later, by the media's own saturation coverage. This documentary threatens to disrupt that control.
By leveraging Fielder’s ability to create uncomfortable, revealing scenarios and Oppenheim’s keen eye for the surreal underbelly of American culture, A24 is offering a narrative that feels less like a retrospective and more like an ongoing investigation. The verdict is still out on whether Holmes herself has watched it yet, but one thing is certain: her legacy is no longer just a matter of court transcripts. It’s a matter of perspective, and A24 has just changed the angle.
